Tuesday, July 29, 2008

lyrics galore

Haven't posted many of my own lyrics. Partly out of my fear of making any of them permanent creations. Once out in the ether, things tend to take on an entirely different, unshakable character, open to interpretation and criticism. Also, unlike many of my ramblings that are not related to song, lyrics seem to present almost a threat to the musician in me. Somehow, it's hard to extend confidence toward this collision of two separate arts, but at this time it is imperative that I do that, so.....

Here are some things I've penned lately (or not so lately):

"Here Rests In Honored Glory"

An icebox opens my eyes
to the beauty I've seen
the last two nights

An old woman passing by
just out of sight
out of sight, out of mind

A father to a son
wraps his knuckle on the door
of my simple heart

I'm not dreaming, I'm not dreaming, I'm not dreaming here, am I?

Running the length of
my dirty traveler's fingers across
the soft marble edge of a cross

"Here Rests In Honored Glory"
trading places with the nameless
man under my foot

we meet like an auto crash
in a field of red roses on a hill
above the sea

I'm not dreaming, I'm not dreaming, I'm not dreaming here, am I?

"Stand Still"

unfinished business
trying too hard trying too hard
endless excuses
falling apart at the seams

last night
fell asleep with my shoes on
bucket of old memories in my hand
lost and late for something
mumbling words i don't understand

running blindly into the light
moth with a death wish fluorescent demise
stand still stand still
stand still stand still

blink blink blink
no one standing there anymore
silent silent silent
then a knock at the door
answer answer answer
waiting with a familiar face

last night
fell asleep with my shoes on
bucket of old memories in my hand
lost and late for something
mumbling words I don't understand

stand still stand still
stand still stand still

"Lights and Sound"

slowly now, coming in slowly
rational thoughts rational thoughts

words and movement
lights and sound
creature of habit
ear to the ground

more than memories, changed into dreams
I try to shake them off, shake them off

plagiarism, or 'idea borrowing'

Maybe neither.

As the misguided young punks sitting opposite from me finished their conversation, packed up their shitty guitar that conveniently read 'THIS MACHINE KILLS FASCISTS,' and walked slovenly down the street I couldn't help but imagine Woody Guthrie rolling over in his grave. I hardly believe the two even know the reason a rambling pioneer from Oklahoma adopted the slogan, let alone what it would mean for a musician today to even begin to lay claim to a legacy like that. I desperately wanted to give them a copy of Dust Bowl Ballads and walk away quietly, hoping they get the message.

But maybe I'm too quick to take offense to such obviously blatant cultural plagiarism. It is entirely possible that the teen and his guitar graffiti are simply an example of someone latching onto something they don't understand, and furthermore don't know how to represent. One might pay tribute to Woody Guthrie through creating a political cartoon, or penning a song, rather than simply brandishing a piece of wood that supposedly 'KILLS FASCISTS.' I'd be willing to give them a second chance, though...

Tuesday, July 8, 2008

Dear Craig

Dear Craig,

I would like to personally thank you for providing me with an opportunity to part with my most treasured possessions (many of which I said I'd never sell), during my moments of weakness and unfortunate pennilessness. Not only did I not need all the fascinating junk I've spent hours getting the right photo of for the "list," I also feel much better having burdened someone else with the responsibility of not needing this aforementioned junk. In closing, I believe wholeheartedly that you are a pioneer in waste management for the future; a true Robin Hood, redistributing goods and wealth amongst those with no unfortunate emotional connection to their worldly goods. For this you will live in somewhat eternal infamy. Good day

Monday, July 7, 2008

the artist (not formerly known as)

My brain, such as was afforded me by my forebears, has a certain penchant for forgetting to write, hence the extraordinary passing of time since my last entry. I have often thought about the merits of a routine, and how convenient it would be to follow said routine, writing this day, riding that, and so on, but it seems that the more I am in need of this mythic structure in my life, the harder it is to find.

I have been awake for a total of 14 hours, most of which were spent at work, or in transit, but I am just now sitting down with tea, listening to Coltrane, and writing here, all of which I should have started my day with. I believe most people, myself included, frequently do not know how to say YES to themselves, instead opting for a resounding OK or I GUESS to life and obsolete necessity, leaving them with nothing more than a false sense of accomplishment and worth, only to begin again the next half-satisfying day. I'm generally a positive and content person, but find myself faced with the fact that merely putting words to this backlit, electronic page means more to me than most of what I happened to accomplish otherwise today.

Most of this malcontent happens to stem from the bitter, hopefully temporary, reality that my career of choice only presents itself in a practical, lifelong reality for a select few on this planet. To be blessed with the opportunity to create for a living, to entertain, to love, to give those who are willing to listen every single artistic breath you have available, and be handsomely, or even fairly rewarded for such an act, is all but nonexistent in our society. In truth, I believe that to actually appreciate even the mere possibility of working toward such a life, one must find themselves lost in the thicket of pedestrian, everyday life, swimming in bills, working harder than they think possible, and all along the way, finding some time for themselves and their loved ones. How can someone learn to be give of themselves in the name of art if they can't manage everyday life in a simple, meaningful manner?

Considering the plight of the artist (one that I am sure has been philosophically beleaguered far to many times, yet poses a fantastic set of questions for myself specifically, and applies gracefully to the whole of humanity), I believe that this balance that we search for in everyday life is absolutely essential, and we can no more escape it than can we escape our fundamental need to create something permanent beyond ourselves. For example, although it seems desirable to abandon the daily activities that don't present any immediately obvious place of meaning in our lives, it is precisely these somewhat banal and tedious events that inform our decision-making process when creating something meaningful or lasting.

I wrote a little on this topic a few years ago that would suit this post, so I think I will end with that to conclude this train of thought.

"Revelation! One part art history (beginning with Ward-Steinman’s Analogs), another part personal experience and contemplation, and yet another part Herman Hesse, I feel energized in the most deeply affecting manner. Man’s gasping, continuous struggle with his tumbling procession toward an untimely demise is at the very root of all artistic endeavor; the reason that exists and continues to exist as a universal purveyor of character, love, feeling, and experience. Yet, as experience informs our character, shaping the notes we play, the words we choose, or the colors we apply to the canvas, we can never exist on the same plane as these things we create. Life is evolution, and as Hesse so eloquently poses, life is eternally “trickling away, changing constantly, until we finally dissolve,” but our artistic output remains unchangeable the same. Our tireless devotion to the creation of art springs forth from our need to leave behind an unchanging product of our changing spirit, wrought from love and fear of death, from the experiences we’ve had and yet to have. These sounds, words, and images we leave for the next generations to learn from and posture on are not subject to human joys and ills (which we can neither express properly or cure entirely), yet without these undeniable conditions, would not exist at all. It is our final aim to carve out of stone the innately human self that will eventually be lost, only a memory to those who will eventually be lost as well, and so on for eternity."